In Bridges Productions we have the compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range is a single system that is trusted all over the world.
ALEXA Mini can record 4K UHD ProRes images, facilitating real-time 4K UHD output and simple pipelines for high-resolution deliverables. Like all the ARRI cameras with the ALEV III sensor offer unrivalled overall image quality by focusing not just on spatial resolution, but also on other image quality parameters such as dynamic range.
ARRI Alexa Mini
6K Full-Frame "Exmor R" sensor for stunning picture quality
The camera’s full-frame 6K sensor provides superb recording in DCI 4K* Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35 mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35 mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.
FX6 combines the best of Sony’s impressive digital cinema imaging technology with advanced imaging features from Sony’s industry-leading Alpha mirrorlesstechnology. It becomes the smallest high performer in an exclusive Cinema line which also includes the VENICE and FX9 cameras,that delivers a coveted filmic look cultivated from extensive experience in digital cinema production.
Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM™
The 4K Super 35 EXMOR sensor features approximately 14 stops of latitude and a wide color gamut. It offers a choice of XAVC or AVCHD codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. The XAVC Long allows you to encode from HD to UHD using Intra-Frame or Long GoP compression with 10-bit 422 for HD and 8-bit 420 for UHD.
Fly Pack, Switcher
Create stunning multi camera live production with the world’s most advanced production switchers! ATEM switches between SD, HD or Ultra HD video standards so you can form exciting live production with a wide range of video sources such as cameras, disk recorders and slide shows or animation from computers. You get powerful features such as chroma key, creative transitions.
Anywhere, any camera, super fast to set up. Lets move the image.